She may contain the urge to run away
But hold her down with soggy clothes and breezeblocks
Germolene, disinfect the scene
My love, my love, love, love
But please don’t go, I love you so, my lovely
It’s hard to watch Breezeblocks, music video to Alt-J’s dark melody and not think in stylistic terms of Nolan’s Memento, or even Noe’s Irreversible, a disturbing gradually unfolding hostage story that leaves us doubting who exactly is originator of the crimes.
A tale of domestic violence, possession and obsessive affection, Bahl makes strong use of macro shots, bleak tones and common household themes. Whereas Wolfe’s Take Me To Church uses suburban normality as a contrast to the underlying violence, this film uses the metropolitan apartment, the place next door to add tension and immediacy, with hip, trendy characters and fashionable minimalist decor. The finished product is one that leaves the viewer uneasy for a long time afterwards. A deserving winner of the UK Music Video Award for “Best Alternative Video” in 2012.
Directed by: Ellis Bahl
More music videos, and here we have Time to Dance by The Shoes, starring the wonderfully strange eyes of Jake Gyllenhaal.
What does it say about this critic when the most disturbing part of this film to me was where our killer attempts to dance, and not the preceding murders. Another great piece by Daniel Wolfe and fantastic acting by Mr Gyllenhaal – one of his finest moments yet, in my opinion.
Directed by: Daniel Wolfe
Continuing the series of music videos on TSS, a politically expressive film for Irish musician Hozier.
Canty and Thompson artfully use the ‘locked box’ to symbolize both repressed love, secrets and the sacrifices required to maintain the simplest of human rights in an environment of bigotry. Following the tragic paths and eventual punishment of two young men, we are left wondering as to the ultimate fate of both them and also the family that may have been ill-prepared to cope with such an opposition to cultural norms, yet suffer anyway for the ingrained societal ignorance they passively ignored.
My church offers no absolution
She tells me, ‘Worship in the bedroom’
The only heaven I’ll be sent to
Is when I’m alone with you
I was born sick,
But I love it
Command me to be well
Amen. Amen. Amen
I love the bold use of black and white in capturing both roaring fire and rolling countryside, leveling our views of sub-urbanity and the insidious, compressed violence it contains. Carefully woven in shots of birds and planes show achingly tantalizing shots of freedom for our protagonists, and I defy anyone not to feel a lurching heart at the morally indecisive imagery of the final scene. Courageous work from talented directors and an inspiring musician.
Great write-up of the piece is also here from Mother Jones.
Directed by: Brendan Canty and Conal Thomson (link)